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PIPELINE COMMENTARY AND REVIEW #34
25 January 1998
by Augie De Blieck Jr.
http://www.nic.com/~augie/pipeline

As of today, there are only 11 more shopping months left til Christmas.  
::duck grin run::

First, the highlight of the week: SUPERGIRL #19.  I commented last week on 
how it felt that Peter David's writing on THE INCREDIBLE HULK was finally 
getting back in line with the Hulk stuff that drew me in close to 100 
issues ago.  SUPERGIRL has always been a title I've enjoyed, but it's 
varied from month to month, from pretty good to great.  The last period of 
real greatness, for me, was just at the end of Gary Frank's tenure on the 
title, which I suppose was issue #9.  With the last couple of issues of 
SUPERGIRL, we're seeing things click perfectly again.  I can't compliment 
it enough, from the risky story he's telling here to the way he's telling 
it to the wit and wisdom being used throughout the current storyline. Along 
the way Leonard Kirk is doing some terrific work.  His opening splash page 
of Supergirl ice-skating is absolutely gorgeous and stunning.  I wish 
they'd make a poster of that somehow.  (Someone tell DC to sponsor the 
Olympics, so this would fit as a poster. ;-) In other words, if you're not 
reading this series yet, start now.  Get the TPB which collects the first 9 
issues and work the back issue bins.

Another mind-blowing experience for me was CAPTAIN AMERICA #3.  Mark Waid 
and Ron Garney are credited together as storytellers.  It seems to be 
happening more and more in comics like that these days.  It's as if the 
industry has finally gotten over this whole artist vs. writer debate and 
realize they both work for the same thing and you need both to get the job 
done properly.  The art and the words mesh perfectly here.  Ron Garney's 
simplified pencil line brings out a clear approach to storytelling and 
figure drawing.  Mark Waid is a master of plotting and pacing.  CAPTAIN 
AMERICA may well be Marvel's finest book right now.

QUANTUM AND WOODY #12 was a disappointment.  While there were still some 
fine bits in it, and M.D. Bright's artwork is still top notch, the entire 
thing seemed to scream spin-off to me.  Why?  Because it's obviously an 
attempt to spark interest in writer Christopher Priest's upcoming Acclaim 
title about the "Urban Jungle."  All of a sudden, a new group gets 
introduced into the on-going storyline with little introduction and little 
payoff in the story.  It just seemed forced and pointless.

THE SAVAGE DRAGON faces Thor in issue #45 this week.  Erik Larsen continues 
to flout convention.  His Thor is more the rough and ready Viking type.  
He's a womanizer and a lout and a drunk and a barbarian.  He talks in a 
manner befitting an old-style god, but without the pretentious and hard 
to read "thee"s and "thou"s.  And Dragon gets an up-front seat to watch 
Thor and Herakles duke it out.  It's more fun, in the mold of Dragon vs. 
God.  It's part homage to Simonson and Kirby, sometimes more plain that 
others.  And it's another fun chapter to read in the Dragon's life.

I picked up CHRONOS #1 from DC this week.  I'm not sure about it yet.  It's 
not the whole "time travel makes Augie dizzy" thing.  I can deal with 
that.  But the whole series right now has a "been there, done that" feel to 
it.  Chronos is an unknown element who learns from the DC characters of the 
past.  I read Starman.  I read Flash.  That's good enough.  The first issue 
doesn't have anything approaching an exciting or engaging story.  It's 
there for the sake of introducing the new readers to the series and setting 
some things up.  I'll probably read John Francis Moore and Paul Guinan's 
next couple of issues to give it a shot - The Kents show up next issue - 
but I'm not holding my breath.

X-MEN #73 has some nice Jeff Johnson art, but it's Joe Kelly's plot which 
bothers me.  It's typical of the worst of the X-Men.  There are too many 
plotlines going on.  Not much in this issue gets resolved.  More questions 
are raised than answered.  No plot lasts longer than a couple of pages 
before being dropped again, and if you haven't been reading for the past 
year, a few pages come off completely meaningless.  Go back and re-read 
issue #72 of this title.  It had a point, at least.

-Augie


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